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A colouring book that doubles up as a note book

If you like a bit of art alongside your everyday stationery, the Colouring Notebook could be what you're after.

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Hello!

I'm Sarita - gifting nerd, blogger & communication specialist. An Indian in Denmark, I live in Copenhagen with my husband and daughter. I love asking people, "what's the best gift you've ever got?“ Learn more
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A colouring book that doubles up as a note book

If you like a bit of art alongside your everyday stationery, the Colouring Notebook could be what you're after.

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Ludoteket: Copenhagen's new toy library

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Sketches and paintings by Katie Kurtz

Katie Kurtz's custom sketches and watercolour painti...

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Picture books: 6 Indian children’s books

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Stationery Gifts: Johanna Basford Notecards

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My picks from Søstrene Grene’s spring collection

A few spring-inspired gift ideas from Søstrene Grene's new interiors collection.

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Appreciating the beauty in the everyday

A small peak into the world of artist Rob Ryan.

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Copenhagen Guide: Gifting an experience

The best gift isn't necessarily a thing. Sometimes i...

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5 fun ways to celebrate Valentine's Day in Denmark

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Planners and calendars: Making 2016 the best

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Jar of happy moments

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Christmas Gift Guide: Gifts for her

Get inspired by our Christmas Gift Guide for women. ...

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Christmas Gift Guide: Gifts for him

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Best of The Orange Gift Bag..................................................

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Lego gift wrap

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Nina Nørgaard’s Sculptural Vases Bring Danish Glass to Life

Some vases are made to disappear behind the flowers. Nina Nørgaard’s pieces take the opposite approach. Their colour, silhouette and hand-finished character make them compelling objects even when they hold nothing at all. A single vessel can become the visual centre of a shelf, dining table or windowsill.

Nørgaard’s work sits in the appealing space between functional design and studio glass. The vases are useful objects, yet they also carry the irregularity, tactility and visual drama associated with contemporary art. This balance makes them especially interesting for anyone who prefers gifts with a story and interiors with a personal point of view.

From a Copenhagen perspective, her work reflects a familiar Danish appreciation for good materials, considered shapes and everyday beauty. There is restraint in the overall design language, but it is softened by luminous colour, organic contours and the small variations that reveal the making process.

A Distinctive Voice In Danish Glass

Nina Nørgaard’s creative language is rooted in glass, a material that can appear both solid and weightless. It catches sunlight, changes with the room around it and reveals depth in a way that ceramic or metal cannot quite replicate. Her vases use those qualities to create objects that feel animated rather than static.

The appeal comes partly from contrast. A rounded body may be paired with a narrow opening, while a quiet translucent surface can sit beside a vivid block of colour. Some forms appear soft and inflated; others have a more architectural presence. These differences keep the collection from feeling repetitive and give each vase its own personality.

That sense of individuality is important when considering handmade glass. Small shifts in shape, colour distribution and surface finish are evidence of the artist’s hand rather than flaws to be corrected. For collectors and gift buyers, these details turn a decorative object into something more personal.

Why The Vases Feel So Sculptural

A vase is traditionally judged by its relationship with flowers, but Nørgaard’s designs can be appreciated from every angle. Their profiles are often strong enough to work as still-life compositions, with the opening, shoulder and base creating a carefully balanced outline. The object has a presence before a single stem is added.

This sculptural quality makes the vases suitable for modern interiors that favour fewer, better-chosen pieces. Placed on a simple sideboard, an open shelf or a bedside table, a colourful glass vessel can provide a concentrated moment of interest without making the room feel crowded.

The transparent and semi-transparent surfaces add another layer. Light passes through the glass, reflects from its curves and changes the appearance of the colour throughout the day. A vase that looks richly saturated in the morning may appear softer in the evening, especially when positioned near a window or lamp.

Colour, Light And Organic Form

Colour is one of the most memorable features of Nørgaard’s vases. Rather than treating colour as a flat coating, glass allows it to become part of the structure. Tones can appear layered, glowing or gently blended, giving the surface a sense of depth.

The palette may appeal to people who enjoy Scandinavian interiors but do not want every object to be white, beige or pale grey. A jewel-like accent, a warm earthy shade or a clear vessel with colourful details can introduce energy while still working with natural materials such as wood, linen and stone.

Organic form also plays a central role. The shapes do not need to be perfectly symmetrical to feel resolved. Slightly irregular contours create a relaxed, tactile impression, while rounded edges make the pieces approachable. This is where the vases differ from mass-produced home accessories: they look designed, but never overly mechanical.

Feature What It Brings To The Vase Why It Matters In A Home
Hand-shaped silhouette Individual contours and subtle variation Makes the piece feel personal and collected
Layered glass colour Depth, glow and changing visual effects Adds interest as daylight shifts
Sculptural profile A strong outline beyond the floral arrangement Allows the vase to stand alone
Organic proportions Softness and movement Balances more structured furniture
Functional opening Space for branches, flowers or foliage Keeps the artwork connected to daily use

The Craft Behind The Finished Object

The visual calm of a finished glass vase can disguise the complexity of making it. Hot glass is responsive and demanding, and the artist must work with timing, temperature and movement. Forming a balanced vessel requires both technical control and the ability to make decisions quickly while the material is still workable.

That process helps explain why handmade glass has such a distinctive surface. The finished piece may contain gentle variations that record how it was shaped, gathered, stretched or cooled. These marks are part of its character and distinguish it from a factory-made object produced to identical specifications.

For Nørgaard, the craft is not separate from the design. The proportions, colour placement and tactile quality all depend on what glass can do in the studio. The result is a kind of design that feels honest about its material: polished enough for contemporary interiors, yet expressive enough to show its handmade origin.

This is also why a glass vase can make a thoughtful present for someone who already owns plenty of things. It does not rely on novelty alone. Its value comes from the relationship between artist, material and home, and from the way the object can be enjoyed over many years.

Styling A Nina Nørgaard Vase

The easiest way to style a sculptural glass vase is to give it room. A crowded shelf can hide its outline and reduce the effect of the colour. Placing it beside one or two quieter objects allows the silhouette to remain visible and gives the eye somewhere to rest.

Flowers should support the shape rather than compete with it. A few long branches can emphasise a tall, narrow opening, while a compact arrangement may suit a rounded vessel. Dried grasses, a single leafy stem or seasonal garden cuttings are often enough. The vase should remain part of the composition instead of becoming merely a container.

Consider the background as well. Against pale walls, transparent glass can catch more light, while darker surfaces can make bright colours appear especially vivid. Natural wood brings warmth, stone adds a cooler contrast and books can create a casual setting that keeps the arrangement from feeling too formal.

For a gift, presentation can be simple and tactile. Pairing a vase with a small bunch of seasonal flowers, a packet of seeds or a beautifully made pair of pruning scissors creates a thoughtful theme without overwhelming the main object. It is a present that can be used immediately and enjoyed as an interior piece between bouquets.

Choosing The Right Piece For A Gift

The best vase depends on the recipient’s home, habits and taste. Someone who likes quiet interiors may appreciate a transparent or softly coloured form, while a maximalist could enjoy a bold, saturated vessel that acts as a focal point. If the person frequently brings home flowers, a practical opening and stable base matter as much as the colour.

Size is worth considering carefully. A small vase can be especially versatile on a desk, kitchen shelf or narrow windowsill. A larger statement piece needs more space, but it can anchor a console or dining table. When buying online, checking the measurements against a familiar household object is a useful way to understand the scale.

The occasion can guide the choice too. A vase makes an elegant wedding or housewarming present, but its handmade quality also suits birthdays, anniversaries and milestone gifts. For someone interested in design, craft or Danish creativity, it offers a connection to an artist rather than a generic decorative product.

If you enjoy discovering giftable objects, creative studios and Copenhagen-related finds, you can also join the newsletter for occasional inspiration from The Orange Gift Bag. A handmade vase fits naturally into that kind of thoughtful edit because it combines beauty, function and a clear creative identity.

Caring For Handmade Glass

Glass is durable, but it still deserves considerate handling. Lift a vase with both hands when it is filled, especially if the form is tall or rounded. Avoid dragging it across a tabletop, as grit or a rough surface can create scratches on the base.

Lukewarm water and a gentle cloth are generally appropriate for cleaning. Very hot or very cold water can create a sudden temperature change, so it is sensible to avoid extremes. Narrow openings may be easier to clean with a soft bottle brush, provided it can be used without pressure.

The surface should be allowed to dry fully before the vase is stored. If it is displayed near a window, sunlight will bring out the colour and transparency, although rotating the piece occasionally can keep the display feeling fresh. The goal is not complicated maintenance; it is simply treating the object as a crafted artwork that also happens to be useful.

A few practical checks can make the gift especially successful:

  • Choose a size that suits the recipient’s available shelf, table or windowsill space.
  • Look for colours that complement their existing interior rather than matching every detail.
  • Consider whether they prefer a quiet accent or a sculptural statement piece.
  • Pair the vase with seasonal stems, a design book or another small object connected to their interests.
  • Explain that variations in handmade glass are part of the individual character of the work.

Nina Nørgaard’s vases reward slow looking. They are beautiful because of their colour and shape, but their lasting appeal comes from the relationship between those qualities and the hands-on process behind them. As functional sculpture, they bring a little studio craft into everyday life: catching the light in a Copenhagen apartment, holding a few garden stems or standing quietly on a shelf as an object worth noticing.

Explore Nina Nørgaard’s glass work with the same care you would bring to choosing a meaningful gift, and look for the vase that feels right for a particular person, room and moment.